My collages emerge from fragments of trial prints — materials that were initially meant for testing, but later found a new role. The process is rooted in the idea of recycling my own work: dismantling existing prints and reshaping them into new wholes.
By assembling square formats, I explore transformation and continuity — how old elements, freed from their original purpose, evolve into new visual structures. Each fragment carries traces of the previous process, yet in the new composition it gains a different rhythm and meaning.
These works speak of rebirth and re‑creation: of the cyclical nature of making, where nothing is final, but constantly shifting, reshaping, and being born again. In this way, the collages become a bridge between past and present work, between disintegration and new creation.
